The WIDOW SERIES (2013-2020), created and performed by Jil Guyon, is an ongoing, open-ended, collection of solo, movement-based works made for stage, screen, and print. In each creation, the Widow character explores the contours of grief and transcendence through ritualized gesture. Her black dress, heels, and unfurling belt not only define her persona, but form a visual leitmotiv that sets the stylistic and emotional tone for the series. Archetypal subtexts—the movie star; the femme fatale; the survivor; the lonely wanderer—run throughout the works, creating a symbolic arena for the investigation of female agency in the wake of loss.

In each cinematic short video, the character is driven by unconscious forces into an unexpected environment. The condition of her interior world is both reflected in, and witnessed by, the shifting typographies she is compelled to traverse. These environments also function as a character with which the protagonist must contend. They play host to her mourning, and her conflicting inner impulses that vie for access to the process of transcendence. 

The live performances take multiple forms: theatrical, interventionist, durational, and site-specific. The choreographic structure of each is the runway walk. The character's suspenseful walk, executed in radically slow time, initiates a highly concentrated energetic exchange with the audience. Impeccably controlled movement joins with an austere visual and sonic beauty to create a non-linear visual narrative free of singular intent—inviting viewers to make intuitive connections between personal history, images, and ideas.

The photographs extend the series beyond time-based media. With the still camera acting as witness, the Widow character re-performs the choreography of the original live performance—the force of her manipulation of the unfurling belt creating a gestural calligraphy that gives voice to the darker regions of the female psyche. 


WIDOW’S END (split screen & 2 channel)

2020, 4:42 min., color, sound, HD video

Set against the backdrop of a volcanic red rock quarry in southern Iceland, Widow’s End depicts a lone woman caught in an extreme, inhospitable landscape. Enveloped in a swath of black fabric, her inner and outer realities collide, eliciting a visual tableaux that is both beautiful and horrific in its invocation of loss.


2020, 5:32 min., color, sound, HD video

In Postlude a mysteriously shrouded woman finds herself at the edge of the Atlantic ocean. Faced with the choice of land or sea, she enacts a sequence of improvisatory gestures before continuing her sojourn.


2019, 3:44 min., color, sound, HD video

Vigil features a nameless woman slowly crossing an undefined, stark landscape. Extending from her dress, a trail of cloth symbolic of her mourning blows in the wind as she moves through a deserted space offering no markers of time or place. Her stillness combines with a haunting electronic sound score, inviting the spectator to drift with her through a quasi-apocalyptic world.


2019, 6:31 min., color, sound, HD video 

Shot in southern Iceland, Widow’s Walk portrays the Widow character as fated with the Sisyphean task of walking up and down a desolate hill in an effort to conquer her grief. Her existential dilemma is further destabilized by troubling memories and a precarious future.


2017, 3:09 min., color, sound, HD video 

In WIDOW | GHOSTS a woman reminiscent of classic Hollywood cinema walks through the crowds of present day Times Square. As she seductively approaches the camera, past and present merge in an eerie meditation on displacement, identity, and the transience of life.


2017, 7:25 min., color, sound, HD video

WW is a psychedelic, sci-fi voyage into the darker recesses of consciousness. With its surrealist use of artifice and doubling, the video combines abstracted imagery with footage of a woman performing a sequence of precisely choreographed movements. This juxtaposition between the abstract and symbolic merges with a pulsating electronic score to create an unsettling investigation of the cataclysmic forces that underlie birth and death.



2014, 10:48 min., color, sound, HD video

Desert Widow is part performance documentation, part photographic cinematography. It features a woman driven into a vast landscape by forces beyond her control. As she traverses the shifting desert topography she performs a sequence of ritualized actions. Day and night converge, as do land and water, creating a subtle yet dramatic interplay between light, movement, music, silence, and stillness. Through this melding of the pictorial with the performative, Desert Widow is a mediation on loss and renewal.


2016, 6:59 min., color, sound, HD video

WIDOW_remix is a re-make of the original work in this series. Exploring the intersection of domesticity and femininity, remix traces the actions of a woman absorbed within a claustrophobic space as she confronts past trauma. With its cut-up, chaotic edit, the video abandons the choreographic structure of the original performance-video, inviting viewers to merge with the protagonist’s unrestrained, emotive experience hovering on the edge of pleasure and pain.


2013, 11:55 min., color, sound, HD video

Widow is a video-performance based on a site-specific work created for the iconic, futuristic hallway at 3LD Center for Art and Technology in New York City. The narrow, runway-like structure of the architecture not only dictates the trajectory of the protagonist's movement, but further encapsulates her within her confined universe. Suspenseful stillness, sharp gestures, and emotional extremes arise and dissolve, giving voice to the dark regions of the female psyche.